"Symphony No.9 in D minor, Op.125 - "Choral" - 4.: "O Freunde nicht diese Töne" -" by Ludwig van Beethoven, Jessye Norman, Reinhild Runkel, Robert Schunk, Hans Sotin, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti was released on January 1, 2009. Since Symphony No.9 in D minor, Op.125 - "Choral" - 4.: "O Freunde nicht diese Töne" - is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Ode To Joy From Symphony No. 9 only contains only one song in the album, we like to consider this song as a single. Symphony No.9 in D minor, Op.125 - "Choral" - 4.: "O Freunde nicht diese Töne" - is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No.9 in D minor, Op.125 - "Choral" - 4.: "O Freunde nicht diese Töne" - by Ludwig van Beethoven, Jessye Norman, Reinhild Runkel, Robert Schunk, Hans Sotin, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1, Op.46: 4. In the Hall of the Mountain King | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | A Major | 1 | 11B | 119 BPM | ||
Variations on a Hungarian Folksong "The Peacock": XVI. Maestoso | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra | D Minor | 3 | 7A | 126 BPM | ||
Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | ||
Götterdämmerung - Concert version / Dritter Aufzug: Siegfried's Funeral March | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | F Minor | 0 | 4A | 64 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Mass in D Major, Op. 123, "Missa Solemnis": Credo: Credo in Spiritum Sanctum | Ludwig van Beethoven, Pamela Coburn, Florence Quivar, Aldo Baldin, Andreas Schmidt, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 1 | 10B | 78 BPM | ||
Madama Butterfly / Act 2: Un bel dì vedremo | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 77 BPM | ||
Die Walküre, WWV 86B - Concert version / Dritter Aufzug: The Ride of the Valkyries | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Major | 4 | 9B | 91 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM |
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