Joseph Haydn, Horst Schneider, SWR Symphony Orchestra, Heinz Stanske, Leo Koscielny, Helmut Muller, Ernest Bour's 'Sinfonia concertante in B-Flat Major, Op. 84, Hob. I:105: III. Allegro con spirito' came out on August 26, 2014. Sinfonia concertante in B-Flat Major, Op. 84, Hob. I:105: III. Allegro con spirito is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, SWR Symphony Orchestra, Ernest Bour's "Haydn: Symphony No. 103 & Sinfonia concertante" album is number 7 out of 7. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Sinfonia concertante in B-Flat Major, Op. 84, Hob. I:105: III. Allegro con spirito's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonia concertante in B-Flat Major, Op. 84, Hob. I:105: III. Allegro con spirito by Joseph Haydn, Horst Schneider, SWR Symphony Orchestra, Heinz Stanske, Leo Koscielny, Helmut Muller, Ernest Bour to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Haydn : Stabat Mater Hob.XXbis : VIII Sancta Mater, istud agas [Soprano, Tenor] | Franz Joseph Haydn, Nikolaus Harnoncourt, Concentus Musicus Wien | F Major | 1 | 7B | 120 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 3 in F Major for solo violin, RV293 "L'Autunno": 3. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | C Major | 2 | 8B | 152 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM | ||
Divertimento for 2 Flutes and Cello (Bassoon) in C Major, Hob. IV:1 "London Trio No. 1": I. Allegro moderato | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal, Wolfgang Schultz, Gilbert Audin | C Major | 1 | 8B | 139 BPM |
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