"Armide: Act II, Scene 4: Airs I & II. Une bergère héroïque : "On s'étonnerait moins"" by Jean-Baptiste Lully, Collegium Vocale Gent, La Chapelle Royale, Véronique Gens, Philippe Herreweghe was released on 1993. Armide: Act II, Scene 4: Airs I & II. Une bergère héroïque : "On s'étonnerait moins" appears to be safe for all ages as it is not explicit. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 20 out of 39. On top of that, France appears to be the country where this track was created. In terms of popularity, Armide: Act II, Scene 4: Airs I & II. Une bergère héroïque : "On s'étonnerait moins" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Armide: Act II, Scene 4: Airs I & II. Une bergère héroïque : "On s'étonnerait moins" by Jean-Baptiste Lully, Collegium Vocale Gent, La Chapelle Royale, Véronique Gens, Philippe Herreweghe to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Isis Opera In 5 Acts With Prologue / Prologue: C'est lui dont les dieux ont fait choix | Jean-Baptiste Lully, Ex Tempore, Musica Antiqua Köln, Reinhard Goebel | B Major | 3 | 1B | 93 BPM | ||
Thésée, LWV 51, Prologue: "Partez, allez, volez, redoutable Ballone" (Mars, Vénus) | Jean-Baptiste Lully, Thaïs Raï-Westphal, Guilhem Worms, Les Talens Lyriques, Christophe Rousset | F Major | 1 | 7B | 105 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Le bourgeois gentilhomme, LWV 43, Act V Final scene: Le Ballet des Nations. Monsieur, distinguez-nous parmy les Gens qui crient | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Virgile Ancely, Zachary Wilder, Serge Goubioud, Claire Lefilliâtre, Marc Mauillon, Geoffroy Buffière | B♭ Major | 5 | 6B | 92 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM |
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