"Geistliche Gesänge: No. 4. —" by Giacomo Meyerbeer, Veronika Winter, Anne Bierwirth, Immo Schroder, Matthias Vieweg, Rheinische Kantorei, Hermann Max was released on September 23, 2016. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Giacomo Meyerbeer, Rheinische Kantorei, Hermann Max's "Meyerbeer: Hallelujah – The Choral Works" album is number 9 out of 13. In terms of popularity, Geistliche Gesänge: No. 4. — is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geistliche Gesänge: No. 4. — by Giacomo Meyerbeer, Veronika Winter, Anne Bierwirth, Immo Schroder, Matthias Vieweg, Rheinische Kantorei, Hermann Max to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Robert le diable, Act 1: "Versez à tasse pleine" (Chorus) | Giacomo Meyerbeer, Coro del Teatro dell'Opera di Salerno, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren | F Major | 2 | 7B | 133 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Robert le diable, Act 5: "Chantez, troupe immortelle" (Chorus) | Giacomo Meyerbeer, Coro del Teatro dell'Opera di Salerno, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren | C Minor | 1 | 5A | 171 BPM | ||
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
Section: 0.63932204246521
End: 0.6426386833190918