"Britten: Spring Symphony, Op. 44: VII. "Waters Above"" by Benjamin Britten, Sheila Armstrong, André Previn, London Symphony Orchestra was released on 1986. The duration of Britten: Spring Symphony, Op. 44: VII. "Waters Above" is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Britten: Spring Symphony, Op. 44: VII. "Waters Above"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 16 in Britten: Spring Symphony, Four Sea Interludes (Peter Grimes) by Benjamin Britten, André Previn, London Symphony Orchestra. In terms of popularity, Britten: Spring Symphony, Op. 44: VII. "Waters Above" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Britten: Spring Symphony, Op. 44: VII. "Waters Above" by Benjamin Britten, Sheila Armstrong, André Previn, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Elgar: Sea Pictures, Op. 37: V. The Swimmer, "With short, sharp violent lights" (Allegro molto) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 102 BPM | ||
Symphony for Cello & Orchestra, Op. 68: II. Presto inquieto | Benjamin Britten, Baltimore Symphony Orchestra, Yo-Yo Ma, David Zinman | G Major | 1 | 9B | 95 BPM | ||
5 Stücke im Volkston, Op. 102: 3. Nicht schnell, mit viel Ton zu spielen | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | A Major | 0 | 11B | 71 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | A Major | 1 | 11B | 113 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): III. Merlyn's Spell and Witch Tune | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | A Minor | 3 | 8A | 80 BPM | ||
Parsifal, WWV 111 - Suite: Compiled By Claudio Abbado: Karfreitagszauber | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 68 BPM |
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