"7 frühe Lieder (1928 Orch. Version): No. 4, Traumgekrönt" by Alban Berg, Anne Sofie von Otter, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1995. The duration of 7 frühe Lieder (1928 Orch. Version): No. 4, Traumgekrönt is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. 7 frühe Lieder (1928 Orch. Version): No. 4, Traumgekrönt's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 11 in Berg: Three Orchestral Pieces by Alban Berg, Anne Sofie von Otter, Wiener Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 7 frühe Lieder (1928 Orch. Version): No. 4, Traumgekrönt is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 frühe Lieder (1928 Orch. Version): No. 4, Traumgekrönt by Alban Berg, Anne Sofie von Otter, Wiener Philharmoniker, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Lied von der Erde: Der Trunkene im Frühling | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | A Major | 2 | 11B | 97 BPM | ||
Don Quixote, Op. 35, TrV 184: Introduction | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 1 | 10B | 92 BPM | ||
Symphony No.1 in E Major, Op. 26: IV. Vivace | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | G Major | 1 | 9B | 76 BPM | ||
Stille Musik: 1. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / 3. The Seven Stages: Variation 8. Molto moderato, ma movendo | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | D♭ Major | 1 | 3B | 51 BPM | ||
Lyrische Suite: IV. Adagio appassionato | Alban Berg, Jean-Guihen Queyras, Ensemble Resonanz | E Minor | 0 | 9A | 85 BPM | ||
Nielsen: Clarinet Concerto, Op. 57, FS 129: Allegretto un poco - | Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner Philharmoniker | C Major | 1 | 8B | 74 BPM | ||
24 Preludes, Op. 11: Prelude in C-Sharp Minor, Op. 11, No. 10 (Arr. V. Rogal-Levitsky) | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | D♭ Minor | 0 | 12A | 130 BPM | ||
Pelleas und Melisande, Op. 5: Die ? ein wenig bewegt | Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra | C Major | 1 | 8B | 83 BPM | ||
Fantastic Dance | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | G Major | 1 | 9B | 72 BPM |
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