Wiener Philharmoniker, Riccardo Muti, James Morris, Margaret Marshall, Konzertvereinigung der Wiener Staatsopernchor, Agnes Baltsa, Francisco Araiza's 'Così fan tutte, Act 2, Scene 4, No. 31 Finale:: Benedetti i droppi conjugi (Coro/Fiordiligi/Dorabella/Ferrando/Guglielmo)' came out on August 2, 2013. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 8 out of 214. In terms of popularity, Così fan tutte, Act 2, Scene 4, No. 31 Finale:: Benedetti i droppi conjugi (Coro/Fiordiligi/Dorabella/Ferrando/Guglielmo) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Così fan tutte, Act 2, Scene 4, No. 31 Finale:: Benedetti i droppi conjugi (Coro/Fiordiligi/Dorabella/Ferrando/Guglielmo) by Wiener Philharmoniker, Riccardo Muti, James Morris, Margaret Marshall, Konzertvereinigung der Wiener Staatsopernchor, Agnes Baltsa, Francisco Araiza to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K. 626: 5. Sanctus - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | D Major | 4 | 10B | 90 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Piano Sonata No.16 in C, K.545 "Sonata facile": 3. Rondo (Allegro) | Wolfgang Amadeus Mozart, András Schiff | C Major | 1 | 8B | 99 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Der Stein der Weisen, Act I: Dialogue (1) | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Kevin Deas, Jane Giering-De Haan, Judith Lovat, Paul Austin Kelly | A Minor | 4 | 8A | 120 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Ascanio in Alba, K. 111: Overture | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | A♭ Major | 1 | 4B | 150 BPM |
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