Die Entführung aus dem Serail, K.384 / Act 1: "Hier soll ich dich denn sehen" - Wolfgang Amadeus Mozart, Fritz Wunderlich, Bavarian State Opera Orchestra, Eugen Jochum Information

Acousticness: 99%
Danceability: 32%
Energy: 11%
Instrumentalness: 0%
Liveness: 8%
Loudness: 71%
Speechiness: 4%
Valence: 17%
Popularity: 3%
Loudness: -17.133 dB

Summary

"Die Entführung aus dem Serail, K.384 / Act 1: "Hier soll ich dich denn sehen"" by Wolfgang Amadeus Mozart, Fritz Wunderlich, Bavarian State Opera Orchestra, Eugen Jochum was released on January 1, 1991. The duration of Die Entführung aus dem Serail, K.384 / Act 1: "Hier soll ich dich denn sehen" is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Die Entführung aus dem Serail, K.384 / Act 1: "Hier soll ich dich denn sehen"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 94 in Fritz Wunderlich sings by Fritz Wunderlich. Die Entführung aus dem Serail, K.384 / Act 1: "Hier soll ich dich denn sehen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Entführung aus dem Serail, K.384 / Act 1: "Hier soll ich dich denn sehen" BPM

The tempo marking of Die Entführung aus dem Serail, K.384 / Act 1: "Hier soll ich dich denn sehen" by Wolfgang Amadeus Mozart, Fritz Wunderlich, Bavarian State Opera Orchestra, Eugen Jochum is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Die Entführung aus dem Serail, K.384 / Act 1: "Hier soll ich dich denn sehen" Key

The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	1	8A	79 BPM
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile	Eder Quartet	C Major	0	8B	65 BPM
Piano Sonata No. 14 In C Minor, K. 457: II. Adagio	Jenő Jandó, Wolfgang Amadeus Mozart	E♭ Major	0	5B	123 BPM
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau: Allegro	Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser	G Major	1	9B	119 BPM
Kol Nidrei - Adagio For Cello, Opus 47	Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim	D Major	1	10B	81 BPM
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two)	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	A♭ Major	1	4B	138 BPM
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato	Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs	D Minor	1	7A	112 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major	Frédéric Chopin, Idil Biret	A♭ Major	0	4B	74 BPM
Violin Concerto No. 3 in F Major, RV 293 "L'autunno": I. Allegro	Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen	F Major	2	7B	122 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6590120792388916

End: 0.6651060581207275