Paul Ramsier, Gary Karr, Mark Morton, Christopher Finkelmeyer, Robert Bernhardt, The Louisville Orchestra's 'Eusebius Revisited (Remembrances of Schumann): Allegro energico' came out on April 1, 1997. The duration of Eusebius Revisited (Remembrances of Schumann): Allegro energico is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Eusebius Revisited (Remembrances of Schumann): Allegro energico's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 23 in Compositions for Virtuoso Double bass by Paul Ramsier. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Eusebius Revisited (Remembrances of Schumann): Allegro energico's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eusebius Revisited (Remembrances of Schumann): Allegro energico by Paul Ramsier, Gary Karr, Mark Morton, Christopher Finkelmeyer, Robert Bernhardt, The Louisville Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate No. 1 pour violoncelle et piano, Op. 109: II. Andante | Gabriel Fauré, Marc Coppey, François Dumont | D Major | 1 | 10B | 84 BPM | ||
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
Trois pièces: II. Sans vitesse e lʼaise | Nadia Boulanger, Janne Fredens, Søren Rastogi | A Minor | 0 | 8A | 103 BPM | ||
A Child of our Time, Part I: Interludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
3 pieces: Piece n 3 | Igor Stravinsky, Alain Damiens | A Major | 1 | 11B | 97 BPM | ||
Eusebius Revisited (Remembrances of Schumann) | Mark Morton, Christopher Finkelmeyer | G Major | 2 | 9B | 91 BPM | ||
Fugitive Visions of Mozart: III. Allegro | Valentin Silvestrov, Johannes Moser, Vadim Gluzman, Andreï Korobeinikov | G Major | 0 | 9B | 65 BPM | ||
Eusebius Revisited (Remembrances Of Schumann) For Double Bass And Piano, Mvt. 6 | Paul Ramsier, Dan Styffe | D♭ Major | 0 | 3B | 80 BPM | ||
Une séparation | Dimitri Illarionov, Boris Andrianov | D Minor | 0 | 7A | 87 BPM | ||
Piano Trio in G Major, CD 5: III. Andante espressivo | Claude Debussy, Florestan Trio | A♭ Major | 1 | 4B | 118 BPM |
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