"Lamento d'Arianna, SV 22: 3a parte - Dove, dove e la fede" by Claudio Monteverdi, Paolo Costa, Maurizio Piantelli, Daniele Bovo, Carmen Leoni, Vittorio Zanon was released on June 26, 2007. The duration of Lamento d'Arianna, SV 22: 3a parte - Dove, dove e la fede is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Lamento d'Arianna, SV 22: 3a parte - Dove, dove e la fede's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ's "Monteverdi: Madrigals, Book 6" album is number 18 out of 35. On top of that, Hong Kong appears to be the country where this track was created. Lamento d'Arianna, SV 22: 3a parte - Dove, dove e la fede is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lamento d'Arianna, SV 22: 3a parte - Dove, dove e la fede by Claudio Monteverdi, Paolo Costa, Maurizio Piantelli, Daniele Bovo, Carmen Leoni, Vittorio Zanon to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Euridice: Sinfonia | Giulio Caccini, Rinaldo Alessandrini, Concerto Italiano | G Major | 2 | 9B | 79 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
La morte della Ragione (Pavana) | Anonymous, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 4 | 4B | 154 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Primo Libro di madrigali, SV 23–39: V. Baci soavi, e cari | Claudio Monteverdi, Les Arts Florissants, Paul Agnew, Miriam Allan, Hannah Morrison, Marie Gautrot, Lisandro Abadie | E Major | 0 | 12B | 102 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Nos esprits libres et contents | Anonymous, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 107 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Credo RV 592 Crucifixus | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux, Philippe Jaroussky | E Minor | 1 | 9A | 169 BPM | ||
Cantata No.30 "Freue dich, erlöste Schar", BWV 30: 5. Aria: Kommt, ihr angefocht'nen Sünder | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | F Minor | 1 | 4A | 72 BPM |
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