Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet's 'Pièces de viole du Second Livre, suite en si mineur: Prélude II. 83 (1701)' came out on September 27, 2011. With Pièces de viole du Second Livre, suite en si mineur: Prélude II. 83 (1701) being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 19 out of 83. In terms of popularity, Pièces de viole du Second Livre, suite en si mineur: Prélude II. 83 (1701) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de viole du Second Livre, suite en si mineur: Prélude II. 83 (1701) by Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Chiacona per la lettera B | Giovanni Battista Vitali, Tragicomedia, Paul O'Dette | B Major | 1 | 1B | 114 BPM | ||
Trios pour le coucher du roi, LWV 35: Chaconne | Jean-Baptiste Lully, Les Ordinaires, Allison Nyquist | B♭ Major | 1 | 6B | 79 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 2 | 7B | 106 BPM | ||
Folias Americanas: II. Tango congo | Calixto Alvarez, Ensemble Vedado, Ronald Martin Alonso | F Major | 1 | 7B | 103 BPM | ||
Le Pouvoir de l'Amour, Prologue Scène 4: Air pour les jeux et les plaisirs | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | C Minor | 2 | 5A | 96 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM |
Section: 0.5753169059753418
End: 0.5850157737731934