Claude Debussy, Aldo Ciccolini's 'Debussy: Suite bergamasque, CD 82, L. 75: IV. Passepied' came out on July 28, 2023. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 14 in Debussy: Ballade, Suite bergamasque, Rêverie, Pour le piano, Danse & Arabesques by Claude Debussy, Aldo Ciccolini. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Debussy: Suite bergamasque, CD 82, L. 75: IV. Passepied is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Suite bergamasque, CD 82, L. 75: IV. Passepied by Claude Debussy, Aldo Ciccolini is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Glenn Gould | A♭ Major | 5 | 4B | 136 BPM | ||
Schumann: Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Cyprien Katsaris | D♭ Major | 0 | 3B | 94 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 73 BPM | ||
Deux Arabesques, CD. 74: I. Andantino con moto | Claude Debussy, Nikolai Lugansky | F♯ Minor | 0 | 11A | 68 BPM | ||
Deux arabesques: Deux arabesques: I. Andantino con moto | Claude Debussy, Alain Planès | F♯ Minor | 1 | 11A | 72 BPM | ||
24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 71 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM |
Section: 0.8415172100067139
End: 0.8455755710601807