"Variations on a Nursery Song, Op. 25: Var. 11 (Choral)" by Ernst von Dohnányi, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult was released on 1954. The duration of Variations on a Nursery Song, Op. 25: Var. 11 (Choral) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Variations on a Nursery Song, Op. 25: Var. 11 (Choral)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Rachmaninoff: Rhapsody on a theme of Paganini [1954]; Dohnányi: Variations on a Nursery Song [1954] (Adrian Boult – The Decca Legacy III, Vol. 11)". In this album, this song's track order is #37. Furthermore, we believe that the track originated from United Kingdom. Variations on a Nursery Song, Op. 25: Var. 11 (Choral) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations on a Nursery Song, Op. 25: Var. 11 (Choral) by Ernst von Dohnányi, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crimean Sketches, Series 1, Op. 9 (Arr. for Piano): No. 3. Chanson a boire | Aleksandr Spendiaryan, Mikael Ayrapetyan | A Major | 1 | 11B | 110 BPM | ||
Piano Trio in G Major, CD 5: IV. Finale. Appassionato | Claude Debussy, Florestan Trio | A♭ Major | 1 | 4B | 118 BPM | ||
An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
Suite De Trois Morceaux, Op. 116 | Benjamin Godard, Samuel Sanders, Paula Robison | G Major | 1 | 9B | 82 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM | ||
Nocturne No. 6 in D-Flat Major, Op. 63 | Gabriel Fauré, Marc-André Hamelin | A♭ Major | 1 | 4B | 167 BPM | ||
Paraphrase de concert sur „Volvio Una Noche | Hannes Pohlit, Carlos Gardel | F Major | 1 | 7B | 136 BPM | ||
10 Pensees Lyriques, Op. 40: No. 6. Pensee Melodique | Håvard Gimse, Jean Sibelius | C Major | 0 | 8B | 61 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 50: II. Romanza. Andante con moto | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | A♭ Major | 2 | 4B | 87 BPM |
Section: 0.6082746982574463
End: 0.610945463180542