Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner made "Mass in B Minor, BWV 232: Credo in unum Deum (Chorus)" available on November 6, 2015. The duration of Mass in B Minor, BWV 232: Credo in unum Deum (Chorus) is about 3 minutes long, at 3:24. Based on our data, "Mass in B Minor, BWV 232: Credo in unum Deum (Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "J.S. Bach: Mass in B Minor, BWV 232" album is number 1 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mass in B Minor, BWV 232: Credo in unum Deum (Chorus) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Mass in B Minor, BWV 232: Credo in unum Deum (Chorus) by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Major, BWV 1064 (arr. for 3 violins and orchestra): II. Adagio | Johann Sebastian Bach, Elisabeth Kufferath, Christine Pichlmeier, Winfried Rademacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 1 | 10A | 67 BPM | ||
The Fairy Queen, Z. 629 / Act 1: Air | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Concert: "Saul, Saul, was verfolgst du mich?" (SWV 415) | Heinrich Schütz, Ruth Holton, Carol Hall, Michael Chance, Frieder Lang, Lawrence Wallington, Simon Birchall, His Majestys Sagbutts & Cornetts, English Baroque Soloists, John Eliot Gardiner, Alastair Ross, The Monteverdi Choir | A Minor | 0 | 8A | 100 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | ||
The Fairy Queen, Z. 629 / Act 4: Duet: "Let the fifes, and the Clarions" | Henry Purcell, Timothy Penrose, Ashley Stafford, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Vespro della Beata Vergine, SV 206: X. Lauda Jerusalem a 7 - Live | Claudio Monteverdi, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | F♯ Minor | 7 | 11A | 82 BPM | ||
The Fairy Queen / Act 5: Trio: "They shall be as happy" | Henry Purcell, Jennifer Smith, Eiddwen Harrhy, David Thomas, English Baroque Soloists, John Eliot Gardiner | C Minor | 1 | 5A | 138 BPM | ||
Mass in B Minor, BWV 232: Domine Deus | Johann Sebastian Bach, René Jacobs, Hillevi Martinpelto, Axel Köhler, Christoph Prégardien, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 71 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 8. Choral (Coro) (Versus VII): Wir Essen Und Leben Wohl | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
The Fairy Queen / Act 5: The Plaint | Henry Purcell, Jennifer Smith, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM |
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