"Jeux d'enfants, Op. 22 WD 56 - Petite Suite: III. Impromptu: La toupie" by Georges Bizet, Royal Concertgebouw Orchestra, Bernard Haitink was released on January 1, 1986. With Jeux d'enfants, Op. 22 WD 56 - Petite Suite: III. Impromptu: La toupie being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 11 in Bizet: Symphony in C; Jeux d'enfants / Debussy: Danses for Harp by Georges Bizet, Bernard Haitink, Royal Concertgebouw Orchestra, Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Jeux d'enfants, Op. 22 WD 56 - Petite Suite: III. Impromptu: La toupie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jeux d'enfants, Op. 22 WD 56 - Petite Suite: III. Impromptu: La toupie by Georges Bizet, Royal Concertgebouw Orchestra, Bernard Haitink is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
4 Préludes - Orch. Poulenc: Fête donnée par des Chevaliers Normands | Erik Satie, Orchestre National De France, Charles Dutoit | D Major | 5 | 10B | 121 BPM | ||
Cuadros de una exposición para orquesta: No. 3, Tullerías | Orquesta Filarmónica de Slavonia, Alberto Lizzio | E♭ Minor | 1 | 2A | 60 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | G Major | 4 | 9B | 169 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 11, A Dance of Clowns. Allegro di molto | Felix Mendelssohn, Otto Klemperer, Philharmonia Orchestra | B Major | 2 | 1B | 117 BPM | ||
Sinfonietta on Russian Themes, Op. 31: III. Scherzo - Finale | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 0 | 9B | 110 BPM | ||
Concertstück in F Major, Op. 86: III. Sehr Lebhaft | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | F Major | 1 | 7B | 132 BPM | ||
The Snow Maiden (second version): Dance of the Tumblers (Act III) | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 2 | 8B | 145 BPM | ||
Act 1: XV. Mercutio | Sergei Prokofiev, Vasily Petrenko, Oslo Philharmonic Orchestra | A♭ Major | 3 | 4B | 164 BPM |
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