- BPM
- 163
- Key
- B♭ Major
- Camelot
- 6B
L'art de toucher le clavecin: Prelude No. 7 in B-Flat Major - François Couperin, Martin Stadtfeld Information
- Acousticness
- 99%
- Danceability
- 20%
- Energy
- 6%
- Instrumentalness
- 90%
- Liveness
- 11%
- Loudness
- 54%
- Speechiness
- 4%
- Valence
- 33%
- Popularity
- 6%
- Loudness
- -27.42 dB
Summary
François Couperin, Martin Stadtfeld's 'L'art de toucher le clavecin: Prelude No. 7 in B-Flat Major' had a release date set for November 3, 2023. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 45 in Baroque Colours by Martin Stadtfeld. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of L'art de toucher le clavecin: Prelude No. 7 in B-Flat Major is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
L'art de toucher le clavecin: Prelude No. 7 in B-Flat Major BPM
The tempo marking of L'art de toucher le clavecin: Prelude No. 7 in B-Flat Major by François Couperin, Martin Stadtfeld is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
L'art de toucher le clavecin: Prelude No. 7 in B-Flat Major Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | |
 | Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Jack Brymer, Sir Thomas Beecham, Royal Philharmonic Orchestra | C Major | 7 | 8B | 89 BPM | |
 | 15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | |
 | La Visionnaire (25e ordre) | François Couperin, Alexandre Tharaud | E♭ Major | 2 | 5B | 108 BPM | |
 | Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | |
 | Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | |
 | 9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | |
 | Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | |
 | 6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | |
 | Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM |
- ISRC
- DEE862301361
- Label
- L-M Records/RCA Records