The Royal Alhambra Orchestra's 'Vals No. 12 F-Moll (F Minor), Op.70' came out on January 14, 2013. The duration of Vals No. 12 F-Moll (F Minor), Op.70 is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Vals No. 12 F-Moll (F Minor), Op.70's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 23 in Classical Strings by The Royal Alhambra Orchestra. Vals No. 12 F-Moll (F Minor), Op.70 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vals No. 12 F-Moll (F Minor), Op.70 by The Royal Alhambra Orchestra is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma: Overture | Vincenzo Bellini, Filarmonica della Scala, Riccardo Chailly | G Major | 2 | 9B | 144 BPM | ||
Les Sylphides (orch. R. Douglas): I. Prelude (Op. 28, No. 7) | Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke | A Major | 0 | 11B | 99 BPM | ||
6 Moments musicaux, Op. 94, D. 780: II. Andantino, A-Flat Major | Franz Schubert, Jenő Jandó | C Major | 2 | 8B | 79 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
Fauré: Dolly Suite, Op. 56: I. Berceuse (For Piano 4-Hands) | Gabriel Fauré, Jean-Philippe Collard | E Major | 1 | 12B | 140 BPM | ||
Soirees a Saint-Petersbourg, Op. 44: No. 1. Romance in E-Flat Major (arr. for string ensemble) | Anonymous, Anton Rubinstein, Budapest Strings, Béla Bánfalvi | E♭ Major | 0 | 5B | 106 BPM | ||
Six Songs, Op. 34: II. Auf den Flügeln des Gesanges, MWV K86 | Felix Mendelssohn, Daniel Hope, Sebastian Knauer | A♭ Major | 0 | 4B | 58 BPM | ||
Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM |
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