Handel, J Vyvyan, H Handt, Vienna Symph Orch, T Hemsley, L Dutoit, E Thorborg, The Copenhagen Boys Choir, M Wöldike, H Watts made "Saul, HWV53: 9. Recitative: Already see the daughters; Chorus: Welcome, Welcome Mighty King" available on February 19, 2013. The duration of Saul, HWV53: 9. Recitative: Already see the daughters; Chorus: Welcome, Welcome Mighty King is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Saul, HWV53: 9. Recitative: Already see the daughters; Chorus: Welcome, Welcome Mighty King's duration is considered a little bit shorter than the average duration of a typical track. The song is number 117 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Saul, HWV53: 9. Recitative: Already see the daughters; Chorus: Welcome, Welcome Mighty King is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Saul, HWV53: 9. Recitative: Already see the daughters; Chorus: Welcome, Welcome Mighty King by Handel, J Vyvyan, H Handt, Vienna Symph Orch, T Hemsley, L Dutoit, E Thorborg, The Copenhagen Boys Choir, M Wöldike, H Watts is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Symphony No. 94 in G Major, Hob.I:94 "Surprise": II. Andante | Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 132 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": III. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | A Major | 1 | 11B | 137 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Overture | Handel, Honor Sheppard, Max Worthley, Oriana Concert Choir, Maurice Bevan, Oriana Concert Orchestra, Alfred Deller | B♭ Major | 4 | 6B | 109 BPM | ||
Capriol Suite: II. Pavane | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM |
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