Wolfgang Amadeus Mozart, Daniel Barenboim made "Mozart: 10 Variations on Gluck's "Unser dummer Pöbel meint" in G Major, K. 455: Variation II" available on August 2, 2013. With Mozart: 10 Variations on Gluck's "Unser dummer Pöbel meint" in G Major, K. 455: Variation II being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Daniel Barenboim's "Mozart: Complete Piano Sonatas and Variations" album is number 3 out of 213. On top of that, United Kingdom appears to be the country where this track was created. Mozart: 10 Variations on Gluck's "Unser dummer Pöbel meint" in G Major, K. 455: Variation II is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mozart: 10 Variations on Gluck's "Unser dummer Pöbel meint" in G Major, K. 455: Variation II by Wolfgang Amadeus Mozart, Daniel Barenboim to be Grave (very slow) because the track has a tempo of 37 BPM, a half-time of 18BPM, and a double-time of 74 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
Sinfonia Concertante For Violin, Viola And Orchestra In E Flat, K.364: 2. Andante | Wolfgang Amadeus Mozart, Giuliano Carmignola, Danusha Waskiewicz, Orchestra Mozart, Claudio Abbado | C Minor | 0 | 5A | 107 BPM | ||
Sinfonia concertante in E-Flat Major, K. 297b: III. Andantino con variazioni | Wolfgang Amadeus Mozart, Jiri Krejci, Vaclav Kyzivat, Zdeněk Tylšar, Jiri Seidl, Capella Istropolitana, Richard Edlinger | E♭ Major | 1 | 5B | 145 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM |
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