Vienna Walzer Orchestra's 'Josef Strauss: Die Nasswalderin, Polka Mazur, Op. 267' came out on February 17, 2011. The duration of Josef Strauss: Die Nasswalderin, Polka Mazur, Op. 267 is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Josef Strauss: Die Nasswalderin, Polka Mazur, Op. 267's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Sakura, Sakura (10 Years in Japan)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Bulgaria. Josef Strauss: Die Nasswalderin, Polka Mazur, Op. 267 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Josef Strauss: Die Nasswalderin, Polka Mazur, Op. 267 by Vienna Walzer Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Fille mal gardée, Act I: 1. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | A Major | 0 | 11B | 95 BPM | ||
Italian Polka | Sergei Rachmaninoff, Jan Valta, Philharmonic Wind Orchestra, Marc Reift | F Minor | 7 | 4A | 154 BPM | ||
Symphony Fantastique in C Major, Op 14: II. Un Bal - Allegro non troppo | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | D Major | 4 | 10B | 125 BPM | ||
Florentine March Op. 214 | Julius Fučík, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 4 | 7B | 114 BPM | ||
Starlight Roof Waltz | George Melachrino, RTE Concert Orchestra, Ernest Tomlinson | E Minor | 1 | 9A | 99 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: II. in E minor. Allegretto scherzando | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Chinesen-Galopp (Chinese Galop), Op. 20 | Vienna Walzer Orchestra | G Major | 4 | 9B | 82 BPM | ||
Piano Music for Big and Small, Op. 53: No. 6 Poco Lamentoso | The Gerst Ensemble | D♭ Minor | 2 | 12A | 175 BPM | ||
Main Titles | Robert Folk | F Major | 6 | 7B | 121 BPM | ||
La traviata, Act I: Preludio (Live) | Giuseppe Verdi, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | G Major | 1 | 9B | 96 BPM |
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