Victor Mora Alzinelles, Juan Dotras Vila, Marcos Redondo's 'Romanza Húngara, Acto I: Bellos Prados Que Dejé Al Pasar... Corre, Trota, Vuela (Canción del Potrero) - Remastered' came out on March 31, 2014. The duration of Romanza Húngara, Acto I: Bellos Prados Que Dejé Al Pasar... Corre, Trota, Vuela (Canción del Potrero) - Remastered is about 3 minutes long, at 3:07. Based on our data, "Romanza Húngara, Acto I: Bellos Prados Que Dejé Al Pasar... Corre, Trota, Vuela (Canción del Potrero) - Remastered" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 34 in El Divo by Marcos Redondo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Romanza Húngara, Acto I: Bellos Prados Que Dejé Al Pasar... Corre, Trota, Vuela (Canción del Potrero) - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Romanza Húngara, Acto I: Bellos Prados Que Dejé Al Pasar... Corre, Trota, Vuela (Canción del Potrero) - Remastered by Victor Mora Alzinelles, Juan Dotras Vila, Marcos Redondo is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Golondrina de Madrid: "¡No, Caballero!¡Apártese!" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
La Canción del Olvido | Jose Serrano, Montserrat Caballé | G Major | 1 | 9B | 88 BPM | ||
La Carretera - La Flor (feat. Rondalla de la Orquesta Sevilla Típica Española) | Raimundo Lanas, Rondalla de la Orquesta Sevilla Típica Española | A♭ Major | 2 | 4B | 108 BPM | ||
Trianera | Carlos Gardel | B♭ Minor | 8 | 3A | 120 BPM | ||
Las Golondrinas, Escena final, I parte: "¡Era mío!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Dona Francisquita - Mujer Fatal | Miguel Fleta | E♭ Major | 1 | 5B | 79 BPM | ||
Los Cadetes de la Reina: Es el Pecado Más Horrible… Mariposa Es la Reina Gentil (Septimino) - Remastered | Julián Moyrón, Pablo Luna, Marcos Redondo | E♭ Major | 4 | 5B | 110 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM | ||
A la Virgen de la Peña de Francia de Salamanca: Fandango Charro (A la Hora de los Maitines) | Jesús G. Jiménez | A Minor | 2 | 8A | 98 BPM | ||
Tango De La Luna | Mantovani y Su Gran Orquesta | G Major | 4 | 9B | 131 BPM |
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