"Zwiesprache: Paul Sacher in memoriam" by Wolfgang Rihm, Anna Gourari was released on May 24, 2019. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 22 in Elusive Affinity by Anna Gourari. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Zwiesprache: Paul Sacher in memoriam's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Zwiesprache: Paul Sacher in memoriam by Wolfgang Rihm, Anna Gourari is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tout un monde lointain…: I. Énigme | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile | Florence Beatrice Price, Avalon String Quartet | A Major | 1 | 11B | 84 BPM | ||
Violin Sonata No. 2 in G Major, M. 77: III. Perpetuum mobile. Allegro | Maurice Ravel, Alina Ibragimova, Cédric Tiberghien | D Major | 2 | 10B | 163 BPM | ||
Shchedrin: Carmen Suite: I. Introduction (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Threni, Lamentations of Jeremiah: VI. De elegia quinta | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Elizabeth Atherton, Maria Ostroukhova, Sam Furness, Joel Williams, Theodore Platt | G Minor | 0 | 6A | 140 BPM | ||
String Quartet n° 3, Im Innersten (1976): I | Wolfgang Rihm, Minguet Quartett | C Minor | 1 | 5A | 95 BPM | ||
Klavierstuck No. 4: III. Massig schnell, sher frei | Wolfgang Rihm, Markus Bellheim | C Major | 0 | 8B | 67 BPM | ||
Ecos de Eternidad: I Saludos II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | G Major | 1 | 9B | 175 BPM | ||
Sinfonia dos orixás: II. Manifestação dos orixás: No. 3, Oxalá I: O canto da luz | Almeida Prado, Orquestra Sinfônica Do Estado De São Paulo, Neil Thomson | G Minor | 0 | 6A | 76 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation II | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 2 | 9B | 113 BPM |
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