Johann Sebastian Bach, Martin Helmchen made "Partita No. 4 in D Major, BWV 828: II. Allemande" available on May 3, 2024. Since Partita No. 4 in D Major, BWV 828: II. Allemande is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 40 in Bach: Six Partitas by Johann Sebastian Bach, Martin Helmchen. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Partita No. 4 in D Major, BWV 828: II. Allemande is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Partita No. 4 in D Major, BWV 828: II. Allemande by Johann Sebastian Bach, Martin Helmchen is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musical Offering, BWV 1079, Canones diversi super Thema Regium: Canon 3 a 2 per Motum contrarium | Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez | F♯ Minor | 3 | 11A | 62 BPM | ||
Kleine Präludien: No.7 in G Minor, BWV 930 | Inge Rosar | C Major | 1 | 8B | 147 BPM | ||
Concerto for two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Leila Schayegh, Anaïs Chen, Jörg Halubek, Il Gusto Barocco | D Minor | 1 | 7A | 104 BPM | ||
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: II. Pt. 1 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
I. Ich Hab In Gottes Herz Und Sinn BWV 92, Choral (Alto): Zudem Ist Weisheit Und Verstand | Pieter Jan Leusink, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ofer Frenkel, Holland Boys Choir; Netherlands Bach Collegium, D'amore, Bas Ramselaar, Peter Frankenberg, Ruth Holton, Frank Wakelkamp | A Major | 2 | 11B | 172 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VI. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Partita No. 4 in D Major, BWV 828: V. Sarabande | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
12 Recorder Sonatas, Op. 2, No. 12 in D Major: IV. Largo | Benedetto Marcello, Accademia Hermans, Fabio Ceccarelli, Alessandra Montani, Gabriele Palomba, Fabio Ciofini | B♭ Minor | 2 | 3A | 64 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Concerto in C Major, BWV 984: II. Adagio e affettuoso | Johann Sebastian Bach, Benjamin Alard | E♭ Minor | 3 | 2A | 97 BPM |
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