George Frideric Handel, David Daniels, Academy of Ancient Music, Christopher Hogwood made "Rinaldo / Act 2: Aria: Il Tricerbero umiliato" available on October 16, 2000. With Rinaldo / Act 2: Aria: Il Tricerbero umiliato being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 6 out of 82. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Rinaldo / Act 2: Aria: Il Tricerbero umiliato is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Rinaldo / Act 2: Aria: Il Tricerbero umiliato by George Frideric Handel, David Daniels, Academy of Ancient Music, Christopher Hogwood to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ciacona in G Minor, Z. 730 | Henry Purcell, Orpheus Chamber Orchestra, Edward Brewer | G Minor | 1 | 6A | 138 BPM | ||
Pachelbel: Canon and Gigue in D Major: Canon | Johann Pachelbel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 84 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Boccherini: Cello Concerto No. 9 in B-Flat Major, G. 482: III. Rondo. Allegro (Cadenza by Grützmacher) | Luigi Boccherini, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 2 | 6B | 141 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Le Tic-Toc-Choc ou Les Maillotins (18e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 133 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XI. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 121 BPM |
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