Arthur Sullivan, Ann Hood, Philip Potter, David Palmer, Jeffrey Skitch, Royal Philharmonic Orchestra, Sir Malcolm Sargent made "13. A lady fair, of lineage high" available on January 1, 1965. The duration of 13. A lady fair, of lineage high is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. 13. A lady fair, of lineage high's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent's "Gilbert & Sullivan: Princess Ida / Pineapple Poll" album is number 14 out of 38. On top of that, United Kingdom appears to be the country where this track was created. 13. A lady fair, of lineage high is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 13. A lady fair, of lineage high by Arthur Sullivan, Ann Hood, Philip Potter, David Palmer, Jeffrey Skitch, Royal Philharmonic Orchestra, Sir Malcolm Sargent to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Child of our Time, Part II: A Spiritual. O! by and by (Soprano, Chorus) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | N/A | N/A | N/A | 0 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
"Hark! What was that, sir?" - "Who fired that shot?" "Like a ghost his vigil keeping..." - "The river must be dragged" | Arthur Sullivan, Elizabeth Harwood, Ann Hood, Gillian Knight, Philip Potter, Kenneth Sandford, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent | D♭ Major | 1 | 3B | 59 BPM | ||
The Pirates of Penzance: Oh, Better Far to Live and Die | Malcolm Rivers | C Major | 2 | 8B | 133 BPM | ||
Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon? | Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose | B♭ Minor | 1 | 3A | 153 BPM | ||
Songs of Travel: Youth and Love | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | G Major | 0 | 9B | 167 BPM | ||
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A Major | 1 | 11B | 69 BPM | ||
Maan virsi (Hymn to the Earth), Op. 95 | Jean Sibelius, Finnish National Opera Chorus, Finnish National Opera Orchestra, Eri Klas | C Major | 1 | 8B | 73 BPM | ||
Songs of Travel: The Roadside Fire | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | F♯ Major | 1 | 2B | 135 BPM | ||
Lehar: Die lustige Witwe, IFL 12, Act 2: "Nun laßt uns aber wie dahein". "Es lebt' eine Vilja" (Viljalied)..."Mi velimo dase dase Veslimo!" [Hanna, Chor] | Franz Lehár, Philharmonia Orchestra, The Philharmonia Chorus, Lovro Von Matacic | G Major | 1 | 9B | 85 BPM |
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