Gerard de Wit's 'Orgelcompositie Psalm 62' came out on 2016. With Orgelcompositie Psalm 62 being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Psalmcomposties voor Koor en Orgel Vol. 3". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Netherlands. Orgelcompositie Psalm 62 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orgelcompositie Psalm 62 by Gerard de Wit having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las! En ta fureur aiguë - Psalm 38 | Gerard de Wit, Dutch Baroque, Johanette Zomer, Peter de Groot, William Knight, Jasper Schweppe | A Minor | 1 | 8A | 116 BPM | ||
VI. Herrscher über Tod und Leben (Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln, Erika Tandiono, Sofia Pavone, Daniel Johannsen, Tobias Berndt | E♭ Major | 2 | 5B | 63 BPM | ||
Missa pro Quadragesima, MH 551: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 82 BPM | ||
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM | ||
Ah Holy Jesu | Andrey Jackson | D Major | 1 | 10B | 138 BPM | ||
Te Deum: XIII. In te Domine speravi | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Versi sopra la messa dell'apostoli, e feste doppie: V. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | E Major | 1 | 12B | 106 BPM | ||
Missa Dolorosa: VI. Agnus Dei | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
I. Ach, lieben Christen, seid getrost (Chorus) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln | A♭ Major | 2 | 4B | 92 BPM | ||
Flute Sonata No. 4 in E Minor, Op. 91: I. Gayement | Joseph Bodin de Boismortier, Wilbert Hazelzet, Gerard de Wit | F♯ Major | 2 | 2B | 100 BPM |
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