Gregory Harrington made "Sabre Dance From The Ballet Gayeneh" available on September 25, 2006. The duration of Sabre Dance From The Ballet Gayeneh is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Sabre Dance From The Ballet Gayeneh's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Reflections". In this album, this song's track order is #16. Sabre Dance From The Ballet Gayeneh is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sabre Dance From The Ballet Gayeneh by Gregory Harrington having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantabile | Niccolò Paganini, Midori | D Major | 1 | 10B | 81 BPM | ||
Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai | Felix Mendelssohn, Quatuor Ébène | F Minor | 3 | 4A | 139 BPM | ||
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
Saint- Saëns: Introduction and Rondo Capriccioso, Op. 28 | Camille Saint-Saëns, Min Kym | A Minor | 1 | 8A | 90 BPM | ||
Piano Trio No. 39: Piano Trio No. 39: II. Poco adagio | Franz Joseph Haydn, Trio Wanderer | E Major | 0 | 12B | 89 BPM | ||
Violin Sonata in F Major, MWV Q 7: III. Presto | Felix Mendelssohn, Karr-Yang Duo | A♭ Major | 1 | 4B | 103 BPM | ||
Paquita: Variation 6: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 0 | 5B | 85 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 14, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 78 BPM | ||
Duo Concertant for 2 Violins No. 3 in D-Sharp Major, Op. 57: III. Allegretto | Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula | A Major | 1 | 11B | 125 BPM | ||
Romance, Op. 23 | Amy Beach, Dawn Wohn, Esther Park | A Major | 1 | 11B | 83 BPM |
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