- BPM
- 76
- Key
- A♭ Major
- Camelot
- 4B
Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims - Franz Lehár, Carl Millöcker, Vienna Volksoper Orchestra, Lotte Rysanek, Vienna Volksoper Choir, Franz Bauer-Theussl, Kurt Equiluz Information
- Acousticness
- 99%
- Danceability
- 31%
- Energy
- 6%
- Instrumentalness
- 82%
- Liveness
- 10%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 13%
- Popularity
- 0%
- Loudness
- -16.377 dB
Summary
"Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims" by Franz Lehár, Carl Millöcker, Vienna Volksoper Orchestra, Lotte Rysanek, Vienna Volksoper Choir, Franz Bauer-Theussl, Kurt Equiluz was released on September 1, 2010. The duration of Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims is about 3 minutes long, at 3:23. Based on our data, "Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 32 in Beliebte Operettenmelodien by Carl Millöcker, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims BPM
The tempo marking of Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims by Franz Lehár, Carl Millöcker, Vienna Volksoper Orchestra, Lotte Rysanek, Vienna Volksoper Choir, Franz Bauer-Theussl, Kurt Equiluz is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | |
 | Da geh ich zu Maxim | Rudolf Schock | D Major | 3 | 10B | 77 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | |
 | Bizet: Carmen, Act 2: "Toréador, en garde" (Amis d'Escamillo) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Kostas Smoriginas | F Major | 1 | 7B | 115 BPM | |
 | Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM |
- ISRC
- CAM460870147
- Label
- L-M Records/RCA Records
Section: 0.9960486888885498
End: 1.000077486038208