Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra's 'Mozart: Don Giovanni, K. 527, Act 2 Scene 6: No. 18, Aria, "Vedrai, carino" (Zerlina)' came out on 1997. The duration of Mozart: Don Giovanni, K. 527, Act 2 Scene 6: No. 18, Aria, "Vedrai, carino" (Zerlina) is about 3 minutes long, at 3:14. Based on our data, "Mozart: Don Giovanni, K. 527, Act 2 Scene 6: No. 18, Aria, "Vedrai, carino" (Zerlina)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Carlo Maria Giulini's "Mozart - Don Giovanni" album is number 20 out of 72. Based on our statistics, Mozart: Don Giovanni, K. 527, Act 2 Scene 6: No. 18, Aria, "Vedrai, carino" (Zerlina)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 2 Scene 6: No. 18, Aria, "Vedrai, carino" (Zerlina) by Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
Concerto for Flute and Harp in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Patrick Gallois, Fabrice Pierre, Roderick Shaw, Swedish Chamber Orchestra, Katarina Andreasson | C Major | 1 | 8B | 122 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau: Allegro | Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | G Major | 1 | 9B | 119 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Requiem in D Minor, K. 626: 1. Introitus: Requiem - Live | Wolfgang Amadeus Mozart, Karita Mattila, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 2 | 6A | 95 BPM | ||
Der Stein der Weisen, Act I: Duet. Tralleralara! Tralleralla! | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM |
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