Johann Sebastian Bach, András Schiff made "Das Wohltemperierte Klavier: Book 1, BWV 846-869: Fugue In C Major BWV 846" available on January 1, 2008. With Das Wohltemperierte Klavier: Book 1, BWV 846-869: Fugue In C Major BWV 846 being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 96 in Bach, J.S.: Well-Tempered Klavier by Johann Sebastian Bach, András Schiff. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Das Wohltemperierte Klavier: Book 1, BWV 846-869: Fugue In C Major BWV 846's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Das Wohltemperierte Klavier: Book 1, BWV 846-869: Fugue In C Major BWV 846 by Johann Sebastian Bach, András Schiff is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite en ré: Les niais de Sologne | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
Fantasia No. 1 in B-Flat Major, TWV 40:14: III. Grave | Georg Philipp Telemann, Federico Guglielmo | D♭ Major | 0 | 3B | 76 BPM | ||
Suite en la: la Triomphante | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
Italian Concerto in F Major BMV971 | Artur Schnabel | F Major | 2 | 7B | 123 BPM | ||
Suite No. 3 in D Minor, HWV 428: IV. Courante | George Frideric Handel, Dina Ugorskaja | D Minor | 2 | 7A | 58 BPM | ||
[Suite in A Major]: Gigue in A Major, Gustafson 114 | Louis Couperin, Pavel Kolesnikov | F♯ Minor | 1 | 11A | 72 BPM | ||
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): IV. Allegro moderato | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D♭ Major | 1 | 3B | 97 BPM | ||
Concerto No. 5 in D Major, BWV 1050: II. Affettuoso | Johann Sebastian Bach, Marcello Gatti, Cecilia Bernardini, Francesco Corti, Ensemble Zefiro, Alfredo Bernardini | C Major | 3 | 8B | 103 BPM | ||
VI. Fugue | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
Goldberg Variations - Version for 2 Pianos by Rheinberger/Reger: 18. Canone alla Sexta. Alla breva | Tal & Groethuysen | G Major | 2 | 9B | 103 BPM |
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