On 2012, the song "Suite en la: la Triomphante" was released by Jean-Philippe Rameau, Natacha Kudritskaya. With Suite en la: la Triomphante being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Rameau: Suite en ré & Suite en la". In this album, this song's track order is #18. Furthermore, we believe that the track originated from France. In terms of popularity, Suite en la: la Triomphante is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Suite en la: la Triomphante by Jean-Philippe Rameau, Natacha Kudritskaya having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ピアノ・ソナタ 第10番 ハ長調 K.330 - 第2楽章 アンダンテ・カンタービレ | Wolfgang Amadeus Mozart, Nobuyuki Tsujii | D Major | 2 | 10B | 81 BPM | ||
Hippolyte et Aricie / Act 2: Deuxième Air - | Jean-Philippe Rameau, Laurent Naouri, Ensemble Vocal Sagittarius, Les Musiciens du Louvre, Marc Minkowski | E♭ Major | 4 | 5B | 147 BPM | ||
Dardanus / Act 2: "Dieux! qu'exigez-vous de mon zèle?" | Jean-Philippe Rameau, John Mark Ainsley, Véronique Gens, Les Musiciens du Louvre, Marc Minkowski | E Minor | 1 | 9A | 130 BPM | ||
Concerto No. 2 in D Major for Cello, Strings, and Continuo, L. 10: IV. Fuga | Leonardo Leo, Elinor Frey, Rosa Barocca, Claude Lapalme | E♭ Minor | 1 | 2A | 103 BPM | ||
25 melodische Etüden, Op. 45: No. 1, Allegretto | Stephen Heller, Jan Vermeulen | C Major | 1 | 8B | 126 BPM | ||
6 Sonates meleese de pieces, Op. 2: V. Sonata in D major "La Chauvet”: IV. Les regrets. Tendrement | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A Minor | 0 | 8A | 129 BPM | ||
60 Études for Piano: No. 24 in G Major | Johann Baptist Cramer, Giorgio Farina | G Major | 5 | 9B | 131 BPM | ||
6 Etudes, Op. 111: IIIb. Fugue. Moderato espressivo | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
Caprice No. 5 in B-Flat Major | Joseph-Marie-Clement Dall'Abaco, Kristin von der Goltz | G Major | 1 | 9B | 64 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": II. Larghetto staccato | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D Major | 1 | 10B | 94 BPM |
Section: 0.7054893970489502
End: 0.7089238166809082