"Suite for Solo Cello No. 1 in G Major, BWV 1007: I. Prelude" by Johann Sebastian Bach, Michael Goldschlager was released on October 27, 2023. The duration of Suite for Solo Cello No. 1 in G Major, BWV 1007: I. Prelude is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Suite for Solo Cello No. 1 in G Major, BWV 1007: I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Mellow Cello" album is number 6 out of 33. On top of that, Australia appears to be the country where this track was created. Suite for Solo Cello No. 1 in G Major, BWV 1007: I. Prelude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite for Solo Cello No. 1 in G Major, BWV 1007: I. Prelude by Johann Sebastian Bach, Michael Goldschlager to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Concerto for Oboe, Violin, Strings and Continuo in C Minor, BWV 1060: I. Allegro (Arr. By Asya Fateyeva) | Johann Sebastian Bach, Asya Fateyeva, Erik Schumann, Ruben Gazarian, Württembergisches Kammerorchester Heilbronn | C Minor | 3 | 5A | 96 BPM | ||
Bach, JS: Piano Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, Andrei Gavrilov, John Constable, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 97 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM |
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