"Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II" by Johann Sebastian Bach, English Chamber Orchestra, Philip Ledger was released on January 13, 2023. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 26 out of 40 in English Chamber Orchestra - Bach, Handel & Telemann by English Chamber Orchestra, Georg Philipp Telemann, George Frideric Handel, Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II by Johann Sebastian Bach, English Chamber Orchestra, Philip Ledger is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Suite No. 2 (Set I) in F Major, HWV 427: I. Adagio | George Frideric Handel, Philip Edward Fisher | D Minor | 0 | 7A | 72 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Mass in B Minor, BWV 232: Aria: Qui sedes ad dextram Patris (Alto) | Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | B♭ Minor | 0 | 3A | 113 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM |
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