Sergei Rachmaninoff, Juan Francisco Otón's 'Preludes, Op. 23: Prelude, Op. 23 in C Minor, No. 7, Allegro' came out on March 12, 2024. The duration of Preludes, Op. 23: Prelude, Op. 23 in C Minor, No. 7, Allegro is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Preludes, Op. 23: Prelude, Op. 23 in C Minor, No. 7, Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 34 in Echos. Piano Works by Beethoven & Rachmaninoff by Irene Cantos, Ludwig van Beethoven, Sergei Rachmaninoff. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Preludes, Op. 23: Prelude, Op. 23 in C Minor, No. 7, Allegro is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Preludes, Op. 23: Prelude, Op. 23 in C Minor, No. 7, Allegro by Sergei Rachmaninoff, Juan Francisco Otón is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka Op. 67 No. 2 For Piano | Arthur Rubinstein | B♭ Major | 2 | 6B | 51 BPM | ||
10 Preludes, Op. 23: No. 2 in B-Flat Major: Maestoso | Sergei Rachmaninoff, Eldar Nebolsin | D♭ Major | 1 | 3B | 63 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM |
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