"Lieder für gemischten Chor op. 36 Nr. 3. Ich liebe, was fein ist" by Robert Fuchs, Kammerchor CONSTANT, Harald Jers was released on 2012. With Lieder für gemischten Chor op. 36 Nr. 3. Ich liebe, was fein ist being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Robert Fuchs, Kammerchor CONSTANT's "Mondaufgang. Chorlieder für gemischte Stimmen. Pt. songs for mixed voices" album is number 3 out of 28. On top of that, Austria appears to be the country where this track was created. Lieder für gemischten Chor op. 36 Nr. 3. Ich liebe, was fein ist is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder für gemischten Chor op. 36 Nr. 3. Ich liebe, was fein ist by Robert Fuchs, Kammerchor CONSTANT, Harald Jers to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes-tableaux, Op. 39: No. 8 in D Minor (Allegro moderato) | Sergei Rachmaninoff, Nikolai Lugansky | D Minor | 2 | 7A | 79 BPM | ||
An die Musik, D. 547 (Arr. Moore) | Franz Schubert, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Soirées Musicales, Op. 6: II. Nocturne | Clara Schumann, Mara Dobresco | A Major | 1 | 11B | 172 BPM | ||
3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | E♭ Minor | 0 | 2A | 106 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
5 Lieder, Op. 48, TrV 202: No. 1, Freundliche Vision (Arr. Gieseking) | Richard Strauss, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Symphony No. 6 in F Major, Op. 68, "Pastorale": V. Allegretto, "Shepherd's song. Thanksgiving after the storm" | Ludwig van Beethoven, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | F Major | 1 | 7B | 159 BPM | ||
Vocalise-Etude (arr. for violin and piano) | Gabriel Fauré, Malin Broman, Simon Crawford-Phillips | A Minor | 1 | 8A | 47 BPM | ||
Symphony No. 5: IV. Adagietto. Sehr langsam (Arr. Hewitt) | Gustav Mahler, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Serenade No. 3 in E Minor: II. Menuetto | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | G Major | 1 | 9B | 77 BPM |
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