"5 Lieder, Op. 48, TrV 202: No. 1, Freundliche Vision (Arr. Gieseking)" by Richard Strauss, Angela Hewitt was released on July 2, 2021. The duration of 5 Lieder, Op. 48, TrV 202: No. 1, Freundliche Vision (Arr. Gieseking) is about 3 minutes long, at 3:20. Based on our data, "5 Lieder, Op. 48, TrV 202: No. 1, Freundliche Vision (Arr. Gieseking)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Angela Hewitt's "Love Songs - Piano Transcriptions Without Words" album is number 6 out of 23. On top of that, United Kingdom appears to be the country where this track was created. 5 Lieder, Op. 48, TrV 202: No. 1, Freundliche Vision (Arr. Gieseking) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 5 Lieder, Op. 48, TrV 202: No. 1, Freundliche Vision (Arr. Gieseking) by Richard Strauss, Angela Hewitt to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le tombeau de Couperin, M. 68: IV. Rigaudon | Maurice Ravel, Angela Hewitt | C Minor | 1 | 5A | 117 BPM | ||
Liadov : 3 Preludes Op.57 : No.1 in D flat major | Anatoly Lyadov, Boris Berezovsky | D♭ Major | 0 | 3B | 80 BPM | ||
Kinderszenen, Op. 15: V. Glückes genug | Robert Schumann, Angela Hewitt | D Major | 1 | 10B | 85 BPM | ||
Chopin: 24 Preludes, Op. 28: No. 17 in A-Flat Major | Frédéric Chopin, Aimi Kobayashi | A♭ Major | 0 | 4B | 72 BPM | ||
Notturno in F major Op.6 No.2: Notturno in F major Op.6 No.2 | Clara Schumann, William Howard | F Major | 0 | 7B | 71 BPM | ||
Mazurka No.36 In A Minor Op.59 No.1 | Frédéric Chopin, Vladimir Ashkenazy | A Major | 0 | 11B | 63 BPM | ||
9 Preludes, Op. 1: No. 8 in E-Flat Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
6 Variations in F Major, Op. 34: Theme | Ludwig van Beethoven, Angela Hewitt | E♭ Major | 1 | 5B | 131 BPM | ||
11 Bagatelles, Op. 119: No. 5 in C Minor. Risoluto | Ludwig van Beethoven, Steven Osborne | F Minor | 1 | 4A | 137 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM |
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