- BPM
- 132
- Key
- A Minor
- Camelot
- 8A
Prelude in E Minor, Op. 28, No. 4 - Frédéric Chopin, Arthur Rubinstein Information
- Acousticness
- 99%
- Danceability
- 41%
- Energy
- 1%
- Instrumentalness
- 82%
- Liveness
- 11%
- Loudness
- 57%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 11%
- Loudness
- -25.669 dB
Summary
"Prelude in E Minor, Op. 28, No. 4" by Frédéric Chopin, Arthur Rubinstein was released on November 11, 2016. The duration of Prelude in E Minor, Op. 28, No. 4 is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Prelude in E Minor, Op. 28, No. 4's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Masterworks - Arthur Rubinstein, so we believe that "Prelude in E Minor, Op. 28, No. 4" is a single. Based on our statistics, Prelude in E Minor, Op. 28, No. 4's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Prelude in E Minor, Op. 28, No. 4 BPM
The tempo marking of Prelude in E Minor, Op. 28, No. 4 by Frédéric Chopin, Arthur Rubinstein is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Prelude in E Minor, Op. 28, No. 4 Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | |
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | |
 | Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | |
 | Fantasia in C minor, K.475: Andantino | Wolfgang Amadeus Mozart, András Schiff | C Minor | 0 | 5A | 142 BPM | |
 | Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | |
 | NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | |
 | Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | 4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | |
 | 12 Études, Op. 10: No. 1 in C Major "Waterfall" | Frédéric Chopin, Yunchan Lim | C Major | 2 | 8B | 86 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.753685474395752
End: 0.7568540573120117