"Elegie" by Jules Massenet, Sebastian Comberti, Miriam Keogh was released on January 1, 2002. With Elegie being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Romance". In this album, this song's track order is #4. In terms of popularity, Elegie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elegie by Jules Massenet, Sebastian Comberti, Miriam Keogh having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme by Tchaikovsky, Op. 35a: Theme. Moderato | Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 2 | 9A | 54 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
Thaïs: Méditation (Arr. A. de la Vega for Flute & Piano) | Jules Massenet, Ana de la Vega, Paul Rivinius | D Major | 1 | 10B | 88 BPM | ||
Tre giorni son che Nina (Arr. for Cello & Piano) | Giovanni Battista Pergolesi, Christine Walevska, Akimi Fukuhara | G Minor | 1 | 6A | 78 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
Waldszenen, op. 82: I. Eintritt | Robert Schumann, Zoltán Fejérvári | E♭ Major | 0 | 5B | 91 BPM | ||
Waltz in E Minor | Alexander Griboyedov, Vladimir Leyetchkiss | G Major | 0 | 9B | 130 BPM | ||
Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | G Minor | 0 | 6A | 179 BPM | ||
WHEN THE GRASS WAS GREENER / Nino Rota: Valzer | Nino Rota, Alice Sara Ott | E Major | 1 | 12B | 71 BPM |
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