"Masques et Bergamasques, Op. 112: I. Ouverture" by Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon had its release date on June 21, 2024. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gabriel Fauré, Renaud Capuçon, Orchestre de Chambre de Lausanne's "Gabriel Fauré" album is number 2 out of 13. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Masques et Bergamasques, Op. 112: I. Ouverture is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Masques et Bergamasques, Op. 112: I. Ouverture by Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM | ||
Piano Concerto No. 1 "Scapegoat": Scherzando | George Lloyd, Martin Roscoe, BBC Philharmonic | F♯ Major | 2 | 2B | 95 BPM | ||
Debussy: Préludes, Book I, L. 117: VIII. La fille aux cheveux de lin | Claude Debussy, Renaud Capuçon | G Major | 0 | 9B | 172 BPM | ||
Romance for Violin and Orchestra in A Major, Op. 29 | Leone Sinigaglia, Noah Bendix-Balgley, Berliner Philharmoniker, Kirill Petrenko | D Major | 1 | 10B | 57 BPM | ||
Variation 1: Piu andante | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 2 | 11B | 106 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: I. Introduction | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
The Incredible Flutist Suite: IX. Spanish Waltz | Walter Piston, National Orchestral Institute Philharmonic, Joann Falletta | B Major | 5 | 1B | 77 BPM | ||
Symphony No. 4 in E minor, Op. 98: 3. Allegro giocoso | Classic FM Orchestra | E♭ Major | 4 | 5B | 124 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations VII & VIII | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | C Major | 0 | 8B | 96 BPM | ||
Poem in D-Flat Major, Op.39a | Zdeněk Fibich, Oliver Butterworth, John Bingham | D♭ Major | 0 | 3B | 83 BPM |