"The Dream of Gerontius, Op. 38, Part II: They sing of they approaching agony (The Angel, The Soul of Gerontius)" by Edward Elgar, Richard Hickox, London Symphony Orchestra, Felicity Palmer, Arthur Davies had its release date on October 1, 1988. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 22 out of 34 in Elgar: Dream Of Gerontius - Parry: Blest pair of sirens, I was glad by Edward Elgar, Richard Hickox, London Symphony Orchestra, Arthur Davies, Felicity Palmer, Gwynne Howell, Roderick elms, London Symphony Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, The Dream of Gerontius, Op. 38, Part II: They sing of they approaching agony (The Angel, The Soul of Gerontius) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Dream of Gerontius, Op. 38, Part II: They sing of they approaching agony (The Angel, The Soul of Gerontius) by Edward Elgar, Richard Hickox, London Symphony Orchestra, Felicity Palmer, Arthur Davies is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": I. Allegro | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | F Major | 1 | 7B | 147 BPM | ||
Salut d'Amour, Op. 12 | Donald Sosin, Edward Elgar, Nora Shulman, Judy Loman | F Major | 1 | 7B | 79 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 91 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM |