"St. John Passion, BWV 245, Part I: No. 12a, Rezitativ and Chorus "Und Hannas standte ihn gebunden" (Evangelist) - No. 12b, "Bist du nicht seiner Jünger einer?" (Turba) - No. 12c, "Er Leugnete aber und prach" (Evangelist , Petrus, Servus)" by Johann Sebastian Bach, Werner Güra, RIAS Kammerchor, Johannes Weisser, Sebastian Kohlhepp, Akademie für Alte Musik Berlin, René Jacobs was released on March 25, 2016. The duration of St. John Passion, BWV 245, Part I: No. 12a, Rezitativ and Chorus "Und Hannas standte ihn gebunden" (Evangelist) - No. 12b, "Bist du nicht seiner Jünger einer?" (Turba) - No. 12c, "Er Leugnete aber und prach" (Evangelist , Petrus, Servus) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. St. John Passion, BWV 245, Part I: No. 12a, Rezitativ and Chorus "Und Hannas standte ihn gebunden" (Evangelist) - No. 12b, "Bist du nicht seiner Jünger einer?" (Turba) - No. 12c, "Er Leugnete aber und prach" (Evangelist , Petrus, Servus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 45 in Bach: St John Passion, BWV 245 (Johannes-Passion) [Deluxe Edition] by Johann Sebastian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs. Going off of the ISRC code of this track, we detected that the origin of this track is from France. St. John Passion, BWV 245, Part I: No. 12a, Rezitativ and Chorus "Und Hannas standte ihn gebunden" (Evangelist) - No. 12b, "Bist du nicht seiner Jünger einer?" (Turba) - No. 12c, "Er Leugnete aber und prach" (Evangelist , Petrus, Servus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. John Passion, BWV 245, Part I: No. 12a, Rezitativ and Chorus "Und Hannas standte ihn gebunden" (Evangelist) - No. 12b, "Bist du nicht seiner Jünger einer?" (Turba) - No. 12c, "Er Leugnete aber und prach" (Evangelist , Petrus, Servus) by Johann Sebastian Bach, Werner Güra, RIAS Kammerchor, Johannes Weisser, Sebastian Kohlhepp, Akademie für Alte Musik Berlin, René Jacobs is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | C Major | 1 | 8B | 131 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Concerto for Violin and Oboe in C Minor, BWV 1060R: I. Allegro | Johann Sebastian Bach, Suk Chamber Orchestra, Josef Vlach, Josef Suk, Jan Adamus | D Minor | 3 | 7A | 172 BPM | ||
French Suite No. 6 in E Major, BWV 817: V. Polonaise | Johann Sebastian Bach, Guoda Gedvilaitė | E Major | 0 | 12B | 79 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Minor | 0 | 5A | 82 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM |
Section: 0.7262096405029297
End: 0.737255334854126