"Stabat mater: VII. And The Mother Did Weep" by Karl Jenkins, Belinda Sykes, EMO Ensemble, Jody K. Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Choir, Ian Tracey, Pasi Hyökki was released on 2007. Stabat mater: VII. And The Mother Did Weep is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Stabat Mater". In this album, this song's track order is #7. Based on our statistics, Stabat mater: VII. And The Mother Did Weep's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat mater: VII. And The Mother Did Weep by Karl Jenkins, Belinda Sykes, EMO Ensemble, Jody K. Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Choir, Ian Tracey, Pasi Hyökki having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Irish Lullaby | Bill Douglas | F Minor | 2 | 4A | 82 BPM | ||
Now, O Now I Needs Must Part | John Dowland, Simone Kermes, Enrico Casazza | G Major | 1 | 9B | 83 BPM | ||
Lakmé: Sous le dome épais (Flower duet) | Heather Begg, Glenys Fowles | B Major | 1 | 1B | 169 BPM | ||
Beethoven / Arr Leon: Piano Concerto No. 5 in E-Flat Major, Op. 73, "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Julia Thornton, Ernö Olah, National Radio Orchestra of The Netherlands | B Major | 1 | 1B | 184 BPM | ||
Stanley / Arr. Defaye: 10 Voluntaries, Op. 6: No. 5, Trumpet Tune in D Major | John Stanley, Maurice André, Jane Parker-Smith | D♭ Minor | 1 | 12A | 100 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Handel: Ode for the Birthday of Queen Anne, HWV 74: I. Aria "Eternal Source of Light Divine" (Countertenor) | George Frideric Handel, Iestyn Davies, Trevor Pinnock | D♭ Major | 1 | 3B | 112 BPM | ||
Ayyuha A-Saqi | Ibn Zuhr, Joglaresa, Belinda Sykes | D Major | 1 | 10B | 88 BPM | ||
Chorale: Hymn | Karl Jenkins, Peter Pejtsik, Adiemus Symphony Orchestra Of Europe | C Major | 1 | 8B | 110 BPM | ||
Eight Part Songs, Op. 115: III. The Blue Bird | Charles Villiers Stanford, National Youth Choir Of Great Britain, Bethany Partridge, Christopher Hann | F♯ Major | 0 | 2B | 77 BPM |
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