"Eine Alpensinfonie, Op. 64: I. Nacht" by Richard Strauss, Hans Knappertsbusch, Wiener Philharmoniker was released on February 29, 2024. The duration of Eine Alpensinfonie, Op. 64: I. Nacht is about 3 minutes long, at 3:17. Based on our data, "Eine Alpensinfonie, Op. 64: I. Nacht" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Richard Strauss, Hans Knappertsbusch, Wiener Philharmoniker's "Historical Strauss, Vol. III (Remastered 2023)" album is number 1 out of 6. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Eine Alpensinfonie, Op. 64: I. Nacht is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Eine Alpensinfonie, Op. 64: I. Nacht by Richard Strauss, Hans Knappertsbusch, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Le bourgeois gentilhomme, Op. 60: The Dinner | Richard Strauss, Fritz Reiner | D Major | 1 | 10B | 77 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Der Rosenkavalier op. 59: Was sie ist…Mit ihren Augen voll Tränen | Richard Strauss, Metropolitan Opera Orchestra, Fritz Reiner, Rise Stevens, Erna Berger | F Major | 4 | 7B | 132 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM |
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