"Feste romane (Roman Festivals), P. 157 (arr. L. Odom for wind band): III. L'Ottobrata" by Ottorino Respighi, Lawrence Odom, Texas All-State 5A Symphonic Band, Arnald D. Gabriel was released on November 19, 2013. Since Feste romane (Roman Festivals), P. 157 (arr. L. Odom for wind band): III. L'Ottobrata is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 2004 Texas Music Educators Association (TMEA): All-State 5A Symphonic Band, All-State 5A Concert Band & All-State 4A Symphonic Band, so we believe that "Feste romane (Roman Festivals), P. 157 (arr. L. Odom for wind band): III. L'Ottobrata" is a single. Based on our statistics, Feste romane (Roman Festivals), P. 157 (arr. L. Odom for wind band): III. L'Ottobrata's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Feste romane (Roman Festivals), P. 157 (arr. L. Odom for wind band): III. L'Ottobrata by Ottorino Respighi, Lawrence Odom, Texas All-State 5A Symphonic Band, Arnald D. Gabriel is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Siciliana (from "The Tree of Life", Arr. for Piano from Antiche Danze, Suite No. 3 by Ottorino Respighi) | Ottorino Respighi, Olga Scheps | E♭ Major | 0 | 5B | 69 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | ||
Lyrical Pieces, Op. 12: No. 1, Arietta | Edvard Grieg, Denis Kozhukhin | E♭ Major | 0 | 5B | 76 BPM | ||
Ravel: A la manière de... Borodine, M. 63 | Maurice Ravel, Bertrand Chamayou | F♯ Major | 1 | 2B | 83 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Waltz No. 12 in F Minor, Op. 70 No. 2 | Frédéric Chopin, Stephen Hough | A♭ Major | 0 | 4B | 76 BPM |
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