- BPM
- 70
- Key
- C Minor
- Camelot
- 5A
Three Preludes: II. Andante con moto e poco rubato - Live - George Gershwin, Evgeny Kissin Information
- Acousticness
- 99%
- Danceability
- 57%
- Energy
- 11%
- Instrumentalness
- 69%
- Liveness
- 18%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 52%
- Popularity
- 26%
- Loudness
- -24.747 dB
Summary
George Gershwin, Evgeny Kissin made "Three Preludes: II. Andante con moto e poco rubato - Live" available on August 5, 2022. The duration of Three Preludes: II. Andante con moto e poco rubato - Live is about 3 minutes long, at 3:19. Based on our data, "Three Preludes: II. Andante con moto e poco rubato - Live" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Gershwin: Three Preludes: II. Andante con moto e poco rubato (Live) and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Three Preludes: II. Andante con moto e poco rubato - Live is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Three Preludes: II. Andante con moto e poco rubato - Live BPM
We consider the tempo marking of Three Preludes: II. Andante con moto e poco rubato - Live by George Gershwin, Evgeny Kissin to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Three Preludes: II. Andante con moto e poco rubato - Live Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 10 Pieces, Op. 12: No. 7. Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 77 BPM | |
 | Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 149 BPM | |
 | Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | |
 | Mozart: Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto | Wolfgang Amadeus Mozart, Evgeny Kissin, Sir Colin Davis, London Symphony Orchestra | E♭ Major | 0 | 5B | 95 BPM | |
 | Études d'exécution transcendante: Chasse-neige (No. 12) | Franz Liszt, Evgeny Kissin | B♭ Minor | 2 | 3A | 76 BPM | |
 | Piano Concerto in F: III. Allegro agitato | George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik | F Minor | 2 | 4A | 139 BPM | |
 | 3 Preludes : Allegro Ben Ritmato E Deciso | Leon Bates, George Gershwin | A♭ Minor | 2 | 1A | 74 BPM | |
 | Variations on a Polish Folk Theme, Op. 10: Var. 5. Andantino | Karol Szymanowski, Krystian Zimerman | F Major | 2 | 7B | 80 BPM | |
 | Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | |
 | 6 Stucke, Op. 32: 6 Pieces, Op. 32: No. 3. Rustle of Spring | Christian Sinding, Christian Ihle Hadland | F Minor | 1 | 4A | 76 BPM |
- ISRC
- DEN962201022
- Label
- L-M Records/RCA Records
Section: 0.7127692699432373
End: 0.7172324657440186