"Variations on a Polish Folk Theme, Op. 10: Var. 5. Andantino" by Karol Szymanowski, Krystian Zimerman was released on September 30, 2022. With Variations on a Polish Folk Theme, Op. 10: Var. 5. Andantino being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Karol Szymanowski, Krystian Zimerman's "Karol Szymanowski: Piano Works" album is number 18 out of 23. On top of that, Germany appears to be the country where this track was created. Variations on a Polish Folk Theme, Op. 10: Var. 5. Andantino is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations on a Polish Folk Theme, Op. 10: Var. 5. Andantino by Karol Szymanowski, Krystian Zimerman to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Preludi Sopra Melodie Gregoriane, P. 131: III. Lento | Ottorino Respighi, Konstantin Scherbakov | F♯ Minor | 0 | 11A | 66 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM | ||
Lyrical Pieces, Op. 43: No. 6, To Spring | Edvard Grieg, Denis Kozhukhin | F♯ Major | 1 | 2B | 138 BPM | ||
Ave verum corpus, K. 618 (Transcr. Liszt for Solo Piano) | Wolfgang Amadeus Mozart, Víkingur Ólafsson | B Major | 0 | 1B | 115 BPM | ||
Mendelssohn: 6 Lieder, Op. 9: No. 6 Die Mainacht | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | D♭ Minor | 1 | 12A | 72 BPM | ||
Symphony No. 5: IV. Adagietto. Sehr langsam (Arr. Hewitt) | Gustav Mahler, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
4 Preludes for Piano, Op. 61: No. 1, Pensieroso | Ignaz Friedman, Joseph Banowetz | B Major | 0 | 1B | 73 BPM | ||
Improvisation No. 7 in C Major: Modere sans lenteur | Francis Poulenc, Olivier Cazal | F Major | 1 | 7B | 83 BPM | ||
Fantasiestücke, Op. 12: III. Warum? | Robert Schumann, Daniel Barenboim | F Major | 1 | 7B | 74 BPM | ||
Ballade No. 2 in F Major, Op. 38 | Frédéric Chopin, Krystian Zimerman | F Major | 1 | 7B | 64 BPM |
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