"La Cenerentola (Cinderella): Act II Scene 1: Chorus - Ah! Della bella incognita (Chorus) (composed by L. Agolini)" by Gioachino Rossini, Joyce DiDonato, Jose Manuel Zapata, Paolo Bordogna, Bruno Pratico, Patrizia Cigna, Martina Borst, Luca Pisaroni, Marco Bellei, Prague Chamber Chorus, SWR Symphony Orchestra, Alberto Zedda was released on September 1, 2005. The duration of La Cenerentola (Cinderella): Act II Scene 1: Chorus - Ah! Della bella incognita (Chorus) (composed by L. Agolini) is about 3 minutes long, at 3:01. Based on our data, "La Cenerentola (Cinderella): Act II Scene 1: Chorus - Ah! Della bella incognita (Chorus) (composed by L. Agolini)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 33 in the song's album "Rossini: Cenerentola (La) (Cinderella)". In this album, this song's track order is #4. Based on our statistics, La Cenerentola (Cinderella): Act II Scene 1: Chorus - Ah! Della bella incognita (Chorus) (composed by L. Agolini)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Cenerentola (Cinderella): Act II Scene 1: Chorus - Ah! Della bella incognita (Chorus) (composed by L. Agolini) by Gioachino Rossini, Joyce DiDonato, Jose Manuel Zapata, Paolo Bordogna, Bruno Pratico, Patrizia Cigna, Martina Borst, Luca Pisaroni, Marco Bellei, Prague Chamber Chorus, SWR Symphony Orchestra, Alberto Zedda having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
Largo al factotum from The Barber of Seville (1959 - historic recording) | US Marine Band, Gioachino Rossini, William Jones | B♭ Major | 3 | 6B | 77 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
The Marriage Of Figaro, Overture K. 492 | Hollywood Strings Orchestra | D Major | 2 | 10B | 145 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM |
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