"Come, Sweet Death (Komm, Süsser Tod)" by Laestadian Lutheran Church, Laurel Loukusa, Livie Hillukka, Ashley Niemela was released on October 31, 2023. With Come, Sweet Death (Komm, Süsser Tod) being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Quiet Shelter". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Come, Sweet Death (Komm, Süsser Tod) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come, Sweet Death (Komm, Süsser Tod) by Laestadian Lutheran Church, Laurel Loukusa, Livie Hillukka, Ashley Niemela having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesley: And Can It Be That I Should Gain (Sagina) - 2. 'tis Mystery All! the Immortal Dies | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | E♭ Major | 1 | 5B | 0 BPM | ||
Johannes-Passion, BWV 245.1: 40. Choral: Ach Herr, lass dein lieb Engelein | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 172 BPM | ||
Psalm 2: Why Do the Nations Rage? (Vocal) | Esther Arnold, Henry S. Cutler, Masada Musicians | D♭ Major | 2 | 3B | 136 BPM | ||
Requiem: II. Psalm 23 | Herbert Howells, Hannah Holgersson, Ivonne Fuchs, Michael Axelsson, Sofia Vokalensemble, Bengt Ollen | E Minor | 2 | 9A | 81 BPM | ||
Kom du Folke-Frelser sand | Rafsbotn Menighet | D Minor | 2 | 7A | 77 BPM | ||
The Crucifixion: Hymn: The Adoration of the Crucified | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | E♭ Major | 1 | 5B | 80 BPM | ||
Blessed Lamb - OVLO Virtual Choir Version | Obioha Ogbonna | F Minor | 3 | 4A | 130 BPM | ||
I denna ljuva sommartid | Anders Öhrwall, Allmänna Sången, Maria Goundorina | B Major | 0 | 1B | 99 BPM | ||
Misa "Brevis": Kyrie | Jakob de Haan, Hor Jevrejskog pevačkog društva i studenata farmaceutskog fakulteta, Djordje Perovic | B♭ Major | 1 | 6B | 129 BPM | ||
Man of Sorrows, Wondrous Name | Frederick Guntermann | D♭ Major | 2 | 3B | 134 BPM |
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