- BPM
- 80
- Key
- E♭ Major
- Camelot
- 5B
The Crucifixion: Hymn: The Adoration of the Crucified - John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown Information
- Acousticness
- 98%
- Danceability
- 20%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 37%
- Loudness
- 54%
- Speechiness
- 6%
- Valence
- 11%
- Popularity
- 6%
- Loudness
- -27.402 dB
Summary
"The Crucifixion: Hymn: The Adoration of the Crucified" by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown had its release date on May 1, 2005. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Stainer: Crucifixion (The)". In this album, this song's track order is #15. The Crucifixion: Hymn: The Adoration of the Crucified is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Crucifixion: Hymn: The Adoration of the Crucified BPM
With The Crucifixion: Hymn: The Adoration of the Crucified by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The Crucifixion: Hymn: The Adoration of the Crucified Key
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | L’cha Adonai | The Shaar Hashomayim Synagogue Choir | A♭ Minor | 2 | 1A | 80 BPM | |
 | Intimations of Immortality, Op. 29: There was a time when meadow, grove and stream | Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill | B♭ Major | 1 | 6B | 65 BPM | |
 | Taas Siion Herrastaan riemuitsee (Siionin laulu 119) | Seuralaulu, Juha Paukkeri | A Minor | 1 | 8A | 176 BPM | |
 | Magnificat in E Major | Herbert Murrill, Rochester Cathedral Choir, William Whitehead, Roger Sayer | A Minor | 1 | 8A | 105 BPM | |
 | Psalm 128 "Blessed Are All They That Fear the Lord" | John Stainer, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland | G Major | 0 | 9B | 177 BPM | |
 | Life-Giving Bread, Saving Cup | Church of the Assumption Choir, Pittsburgh Diocesan Choir | A♭ Major | 8 | 4B | 172 BPM | |
 | Life of Christ, Renew Me | Margaret Rizza, Kevin Mayhew Ltd | A Major | 1 | 11B | 89 BPM | |
 | Jubilate Deo à 8 | Giovanni Gabrieli, Chorwerk Ruhr, Capella De La Torre, Florian Helgath | B♭ Major | 2 | 6B | 77 BPM | |
 | I Will Wash My Hands in Innocency | Edward Bairstow, The Choir of York Minster, Robert Sharpe | B Major | 2 | 1B | 0 BPM | |
 | Ye choirs of new Jerusalem | Charles Villiers Stanford, Choir of Clare College, Cambridge, Graham Ross, Matthew Jorysz | G Major | 3 | 9B | 126 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records