"Kaya no kiyama no (On the Hill of the Kaya Trees): Kayanokiyamano" by Kosaku Yamada, Marc Grauwels, Hiroko Masaki, Vladimir Mendelssohn, Ingrid Procureur was released on August 2, 2003. The duration of Kaya no kiyama no (On the Hill of the Kaya Trees): Kayanokiyamano is about 3 minutes long, at 3:20. Based on our data, "Kaya no kiyama no (On the Hill of the Kaya Trees): Kayanokiyamano" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Hiroko Masaki's "Japanese Melodies" album is number 19 out of 21. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Kaya no kiyama no (On the Hill of the Kaya Trees): Kayanokiyamano is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kaya no kiyama no (On the Hill of the Kaya Trees): Kayanokiyamano by Kosaku Yamada, Marc Grauwels, Hiroko Masaki, Vladimir Mendelssohn, Ingrid Procureur to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | A Major | 0 | 11B | 84 BPM | ||
Kojo-no-Tsuki | Rentaro Taki, Los Angeles Guitar Quartet | A Minor | 1 | 8A | 117 BPM | ||
Maya for Two Flutes and Piano | Shauna Thompson, Gabriel Sanchez, Laurel Zucker | A Major | 1 | 11B | 111 BPM | ||
Akatonbo | Kosaku Yamada, Jouko Harjanne, Kari Hanninen | E♭ Major | 1 | 5B | 92 BPM | ||
Pierné: Pièce, Op. 5 | Gabriel Pierné, François Leleux, Emmanuel Strosser | B♭ Major | 1 | 6B | 95 BPM | ||
Chaconne in G Minor | Tomaso Antonio Vitali, Jascha Heifetz, Richard Ellsasser | G Minor | 4 | 6A | 80 BPM | ||
Suite en duo: I. Preambule: Modere | Jean Cras, Juliette Hurel, Marie-Pierre Langlamet | A♭ Major | 0 | 4B | 81 BPM | ||
The Minstrel's Adieu to his Native Land | John Thomas, Judy Loman | A♭ Minor | 1 | 1A | 81 BPM | ||
カッチーニのアヴェ・マリア(ヴァヴィロフ/朝川 朋之編) | Vladimir Vavilov, Yoko Hasegawa | C Major | 6 | 8B | 112 BPM | ||
Le printemps, Op. 18 | Darius Milhaud, Frédéric Pélassy, Eliane Reyes | F♯ Minor | 2 | 11A | 103 BPM |
Section: 0.6076059341430664
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